2,024 Royalty-Free Audio Tracks for "In C"

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Chorale segment in half-notes. Synthesised soprano, tenor, alto, and bass sing a i-v7/v-v-i progression in c-major. Minor reverb and noise reduction in post.
Author: Brimistic
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02:40
Made using tweaked samples and uvi falcon. All notes are hit in c, different octaves.
Author: Ramteen
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A 303 sample i sampled from my tb303workes great with only this sample in reason fl studio and so on.
Author: Djmini
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00:49
A more pure recording of the new orleans trolley in motion, with background chatter of the commuters.
Author: Cognito Perceptu
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Neapolitan sixth in C minor.
Author: Created by Hyacinth (talk) 03:32, 3 April 2010 using Sibelius 5.
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Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 2nd movement (allegretto)
Author: Untitled
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Chord progression with a borrowed chord second: v or Gm in C major.
Author: Hyacinth
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2 seconds of silence in mp3 format. Response to some requests for mp3 versions of silence samples.
Author: Thanvannispen
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A lengthier beep (oh, i'm mixing it up on you. ) once again, sampled from my phone, and once again, in c#.
Author: Korgmsb
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06:01
Recording of music written by Frederic Chopin
Author: Frederic Chopin
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4 seconds of silence in mp3 format. Response to some requests for mp3 versions of silence samples.
Author: Thanvannispen
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Using an apple iphone the sound was recorded and then some basic editing was done in garageband. (by brady j. , thompson c. , and ethan v.
Author: Digpro
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Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.
Author: Hyacinth
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Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.
Author: Hyacinth
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Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.
Author: Hyacinth
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Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: sequntial maxpatch name (pack): not in usenote: c2midi note: 36.
Author: Modularsamples
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Water glasses tuned to complete the chord structure of i v7 i in c major.
Author: Hollens
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Drum and bass fx atmosphere dnb 170 bpm key c.
Author: Timski
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Fantasy No. 1 with fugue in C minor, K. 394: fugue's opening theme. Created by Hyacinth (talk) 02:52, 17 January 2012 (UTC) using Sibelius 5.
Author: This file is lacking author information.
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Waterlike synth sound generated with u-he zebra 2 - lfo in s&h mode. Essentials: fmo, lfo, reverb.
Author: Voxlab
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Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: arturia microbrutepatch name (pack): the pube in your coffeenote: c1midi note: 24.
Author: Modularsamples
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Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 1st movement (adagio sostenuto), performed by Paul Pitman for Musopen Italiano: Sonata n. 14 in do diesis minore "Chiaro di luna", op. 27 n. 2, I movimento (adagio sostenuto), eseguito da Paul Pitman per Musopen
Author: Untitled
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03:30
Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.
Author: Henry Burr, Peerless Quartet and Harry C. Browne
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Wine glass, tuned with water, rubbed with wet finger in a circular motion to produce sustained tone. Recorded with olympus ls-10 (no zoom) in a small reverberating bathroom, edited in audacity to make a seamless loop. The whole pack intended to be used as a virtual instrument. Note c#4 (root note c5, 440hz).
Author: Spectral
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02:43
This is recorded in the morning in front of my house with zoom h2. Simply ambiental playing uke in c major tune. Feel free to use it and send me a final result if u use it.
Author: Sandib
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An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.
Author: Tal_Brenev (talk) (Uploads)
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Tritone on C = F♯/G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: 0,64 Midi created in Sibelius.
Author: Hyacinth
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*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).
Author: Created by User:Hyacinth (13:39, 1 September 2008) in Sibelius. A m2 on 104,78.
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A c major note being played reversed using fl keys in fl studio, softened. Recorded and processed in audacity.
Author: Rvgerxini
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Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.
Author: Image: Created by Hyacinth (talk) 03:29, 21 March 2010 using Sibelius 5. Music: Bach
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Symphony No. 3 in C Minor, Op. 78, "Organ": II. Maestoso performed by the Stellar Brass of the United States Air Force Academy Band. Track 1 from Fireworks for Brass and Organ (2007).
Author: Untitled
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Dail tone sound in us. Use c program create tone and write 16 bit wave file. 2015. 08. 05 10:10.
Author: Sieuamthanh
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Classic "hey! look here," whistle performed with two fingers in the mouth. Close. Recorded with at c-414 mic to fostex pd-6.
Author: Fauxpress
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High gain guitar noise. (side pick swipe across all of the strings, muted across 2nd fret on guitar tuned in drop c. ).
Author: Uzerx
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Classic chime from a h. A. C. (hamburg american clock) mantle clock circa 1910, hand made in wurttemberg, germany.
Author: Phantomfoot
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This is a bassline i created in vsti rubber duck. It's recorded at c2 120 bpm.
Author: Snapper
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Chord progression with a borrowed chord second to last: iv or Fm in C major.
Author: Hyacinth
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Wireless home telephone, 3 tone, dryready for looping. Microphone: akg c 1000s(different versions and speeds available in telephone pack. ).
Author: Kinoton
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The strange white noise like sound of fine snow falling and hitting tree leaves in cold -7 celcius.
Author: Cyclic
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Vibraphone played with a soft mallet recorded in stereo on 2 shure sm57s. No processing.
Author: Jonwalter
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A metallic percussion loop over a chord progression in c major on piano. Perfect for your blue man group cosplay!.
Author: Steevee
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First 4 measures of the third movememt of Ludwig van Beethoven's Piano Sonata No. 8 in C minor (Pathétique), Op. 13.
Author: Hyacinth
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In the shade of the palm from Leslie Stuart and Owen Hall's Florodora. Sung by Frank C. Stanley in 1902. This is Edison Gold Moulded Record #8066. Other titles for this song include: In the shade of the sheltering palm Shade of palms There is a garden fair Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit, with "In the shade of the sheltering palm" also quite popular.
Author: Owen Hall (real name, James Davis, 1853-1907) and Leslie Stuart (1863–1928)
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